Academic

Degrees

  • M.A. in Shakespeare and Theatre, The Shakespeare Institute, University of Birmingham, Stratford-Upon-Avon, England. (Concentration on women and gender roles in Shakespeare’s work.)
  • B.S. in Theatre Arts, Charter Oak State University, New Britain, CT. (3.5 GPA)

Other Classes and Workshops

  • The Royal Shakespeare Company: John Barton, Gregory Doran, Masterclasses in Shakespeare performance, Shakespeare directing workshop at the RSC.
  • University of Hartford: Dr. Humphrey Tonkin, Shakespearean text analysis.
  • Yale School of Drama: Performance technique, character development.
  • Western Connecticut State University: Technical theater, history of theater.
  • University of New Haven: Louis Burke, Directing, performance technique, Shakespeare.
  • Albertus Magnus College: Al Defabio, Dr. Susan Cole, Acting and directing, play and text analysis, Shakespeare. 

Academic Papers


Dissertation:

“Second to None: Considering Bianca, Hero, and Emilia”

This dissertation seeks to explore and draw conclusions on the characterization of three of Shakespeare’s secondary female characters: Bianca in The Taming of the Shrew, Emilia in Othello, and Hero in Much Ado About Nothing. 

Peer-Reviewed Research Papers (as Kelly Nelsen-Pedersen):

  • Trump as Caesar and the Media as a Tide in the Affairs of Men
  • Margaret Webster: Broadway Shakespeare Director, Gay Female & Civil Rights Advocate in 1940s America
  • What We Can Learn About Shakespeare’s Sense of Genre by Comparing The Merchant of Venice to Its Sources
  • What is Gained by Present Day Original Practices at Shakespeare’s Globe
  • The Presence of the Devil in the Language of Macbeth
  • The Processes of Developing Sir Thomas More for the Stage 
  • What is the Existential Potential of Experiencing Shakespeare in the Lives of Those Who Read, See, or Perform Him?

Dissertation and some papers available on Academia.edu (Published as Kelly Nelsen-Pedersen.)